Capucine Vandebrouck
Floaters
Installation Views
Installation view: Capucine Vandebrouck 2018
Photo: Pablo Ocqueteau
Installation view: Capucine Vandebrouck 2018
Photo: Pablo Ocqueteau
Installation view: Capucine Vandebrouck 2018 at Galerie Gilla Loercher
Photo: Pablo Ocqueteau, courtesy Galerie Gilla Loercher
Installation view: Capucine Vandebrouck 2018
Photo: Pablo Ocqueteau
Installation view: Capucine Vandebrouck 2018
Photo: Pablo Ocqueteau
Installation view: Capucine Vandebrouck 2018
Photo: Capucine Vandebrouck
Installation view: Capucine Vandebrouck 2018
Photo: Pablo Ocqueteau
Works
La Mémoire de l'eau 1, 2015
photogram of fog, (edition 2/4)
90 x 90 cm
pasted on dibond, framed
Photo: Gilla Loercher / Galerie Gilla Loercher
Puddle 4, 2018
hydrophobic bomb and water,
variable size
Photo: Pablo Ocqueteau, courtesy Galerie Gilla Loercher
Puddle 4, 2018
hydrophobic bomb and water,
variable size
Photo: Pablo Ocqueteau, courtesy Galerie Gilla Loercher
Circonstances, 2017 (2 parts)
Wood and glass
21 x 31 x 7 cm
Photo: Capucine Vandebrouck
Filigranes 1, 2017
2 x unique anthothypes (chlorophyllian photographic process),
tree leaves, anti-UV glass, wood
60 cm x 50 cm each
Photo: Pablo Ocqueteau
Filigranes 1, 2017
2 x unique anthothypes (chlorophyllian photographic process),
tree leaves, anti-UV glass, wood
60 cm x 50 cm each
Photo: Capucine Vandebrouck
Camera obscura 2, 2014
magnifying glass and chassis
60 x 60 cm
Photo: Capucine Vandebrouck
Camera obscura 2, 2014
magnifying glass and chassis
60 x 60 cm
Photo: Papblo Ocqueteau, courtesy Galerie Gilla Loercher
La Mémoire de l'eau 3, 2015
photograms of water, ice, fog, silver bromide on glass plate,
variable dimension
Photo: Gilla Loercher
La Mémoire de l'eau 3, 2015
photograms of water, ice, fog, silver bromide on glass plate,
60 x 60 cm
Photo: Capucine Vandebrouck
La Mémoire de l'eau 3, 2015
photograms of water, ice, fog, silver bromide on glass plate,
21 x 29,7 cm
Photo: Capucine Vandebrouck
La Mémoire de l'eau 3, 2015
photograms of water, ice, fog, silver bromide on glass plate,
21 x 29 cm
Photo: Capucine Vandebrouck
La Mémoire de l'eau 3, 2015
photograms of water, ice, fog, silver bromide on glass plate,
18 x 10 cm
Photo: Capucine Vandebrouck
La Mémoire de l'eau 3, 2015
photograms of water, ice, fog, silver bromide on glass plate,
18 x 10 cm
Photo: Capucine Vandebrouck
Press Release
/Floaters are opacities of different sizes and consistencies present in the vitreous humor of the eye. They manifest as dark spots, black dots, circles, lines or filaments. Many of us have already made this experience. They are particularly noticeable when the gaze is on a plain background, a clear sky or a white wall. The floaters we see are just actually shadows of their own bodies. Floating in the vitreous (central portion of the eye), they are visible due to the shadow they project on the retina, having a refractive index different from the one of the vitreous body. When we move our eyes, the floater follows, and when we try to fix it, we are unable to see it. These visual interferences which disturb our vision and which are only the shadow of themselves, lead us to rethink the notions of look, perception, real and reality. Wouldn’t this fugitive and fleeing body that we can see on the surface of our retina be able to help us understand that there is no objective reality? Will this contain the chance to remodel the vision of our daily life and lead us to the inbetween of understanding reality and reading reality?
By creating presence in a place of absence, the floater may give us the proof of an imperceptible reality. A floating, in a space between the tangible and the intangible, would show us a new field of action, another way of apprehending what surrounds us. Like the floaters, this exhibition is thought as a diaphanous path, blurring the senses and perceptions of the viewer. The works presented have different natures, playing with natural elements, disturbing the impossible in appearance, disappearance or revelation. The set wants to caress the fleetingness of the floater at the right point, in a permanent dialogue between discernment and blindness. (Capucine Vandebrouck)
Capucine Vandebrouck is a sculptor graduated from the École Supérieure des Arts Décoratifs of Strasbourg, the École Nationale Supérieure d'Art of Bourges and the Marc Bloch faculty. She lives and works in Strasbourg.
Capucine Vandebrouck was awarded the Ouest-Ost residency (partnership with the French Center of Berlin, FEFA, and the Goethe Institut, Berlin, Germany) in 2017; the studio residence of Lindre-Basse, France in 2014; the residency of the Kunststiftung Baden-Württemberg in partnership with the CEAAC and the French Institute, Stuttgart, Germany in 2014 and the RAVI, artist residence Vivegnis international, Liège, Belgium in 2013 a.o.
Her work has been shown in art museums, institutions and galleries (Kunsthalle Basel, Basel, CH; Musée d´Art Moderne et d´Art Contemporain MAMAC, Nice, F; CEAAC, Strasbourg, F; Musée La Grand Place, Saint-Louis-les-Bitches, F; Goethe Insitut, Nancy, F; Galerie Thaddeus Ropac, Paris, F; Galerie Bernard Ceysson, Saint Étienne, F; Galerie Houg, Paris, F; Galerie Gilla Lörcher | Contemporary Art, Berlin, D.
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