Capucine Vandebrouck
Radiants extended
Installation Views

Capucine Vandebrouck, Radiants extended. Galerie Gilla Loercher 2021/22
Photo: CHROMA, courtesy Galerie Gilla Loercher

Radiants extended. Capucine Vandebrouck. Galerie Gilla Loercher 2021
Installation view: Radiants extended

Radiant, 2014
PVC material
380 x 120 cm

detail. Radiant
Capucine Vandebrouck, detail Radiants
Photo: Gilla Loercher

detail Radiant
Capucine Vandebrouck, detail Radiants
Photo: Gilla Loercher

Capucine Vandebrouck. Galerie Gilla Loercher 2021/22
Installation view: Radiants extended.

Radiant2, 2014
PVC material
145 x 96,5 cm
Works

Radiant
PVC, 380 x 120 cm
Installation view. Photo: CHROMA, courtesy Galerie Gilla Loercher

Radiant, 2014
PVC material
380 x 120 cm

Radiant2, 2014
PVC material
145 x 96,5 cm

RADIANT 3, 2014
PVC material
152 x 96,5 cm

Radiant 3, 2014
PVC material
152 x 96,5 cm
3D-Tour
Press Release
/Galerie Gilla Lörcher is pleased to present the exhibition "Radiants extended" by the French artist Capucine Vandebrouck. With the radiants, the artist experiments with the light and color effects of PVC film. The play of colors and light. that the works unfold in the gallery space is amazing and absolutely spectacular.
Marie Cozette about Capucine Vandebrouck's work: "In 1967, Robert Morris achieves in the Western Washington University an iconic work called Steam Cloud, a simple cloud of smoke emerging from the ground. At the time the American artist designs this work, it is a question of thinking about a work as a random shape, shifting and impermanent. He will talk about anti-form in a text published in 1968, in conflict with the canons of minimalism dominating the American artistic scene. From there you could pull the many strings of a star shaped artistic genealogy, where entropy, chance, fundamental ambiguity, immateriality, disappearances and decoy effects would be mixed together. It is in this frame that the work of Capucine Vandebrouck would be inserted, somewhere between the Dust Breeding of Duchamps and the „scribbles“ of Sol le Witt, between the proponents of arte povera and the Asphalt Rundown of Smithson, between the bitter elegance of Eva Hesse and the visual alchemies of Ann Veronica Janssens or Edith Dekyndt."
Capucine Vandebrouck (born 1985) is a sculptor graduated from the École Supérieure des Arts Décoratifs of Strasbourg, the École Nationale Supérieure d'Art of Bourges and the Marc Bloch faculty. She lives and works in Strasbourg.
Capucine Vandebrouck was awarded the Ouest-Ost residency (partnership with the French Center of Berlin, FEFA, and the Goethe Institut, Berlin, Germany) in 2017; the studio residence of Lindre-Basse, France in 2014; the residency of the Kunststiftung Baden-Württemberg in partnership with the CEAAC and the French Institute, Stuttgart, Germany in 2014 and the RAVI, artist residence Vivegnis international, Liège, Belgium in 2013 a.o.
Her work has been shown in art museums, institutions and galleries (Kunsthalle Basel, Basel, CH; Musée d´Art Moderne et d´Art Contemporain MAMAC, Nice, F; CEAAC, Strasbourg, F; Musée La Grand Place, Saint-Louis-les-Bitches, F; Goethe Insitut, Nancy, F; Galerie Thaddeus Ropac, Paris, F; Galerie Bernard Ceysson, Saint Étienne, F; Galerie Houg, Paris, F; Galerie Gilla Lörcher | Contemporary Art, Berlin, D.
From 20 Dec - 3 Jan 2022 the gallery is only open after appointment. Please book a time slot.
Marie Cozette about Capucine Vandebrouck's work: "In 1967, Robert Morris achieves in the Western Washington University an iconic work called Steam Cloud, a simple cloud of smoke emerging from the ground. At the time the American artist designs this work, it is a question of thinking about a work as a random shape, shifting and impermanent. He will talk about anti-form in a text published in 1968, in conflict with the canons of minimalism dominating the American artistic scene. From there you could pull the many strings of a star shaped artistic genealogy, where entropy, chance, fundamental ambiguity, immateriality, disappearances and decoy effects would be mixed together. It is in this frame that the work of Capucine Vandebrouck would be inserted, somewhere between the Dust Breeding of Duchamps and the „scribbles“ of Sol le Witt, between the proponents of arte povera and the Asphalt Rundown of Smithson, between the bitter elegance of Eva Hesse and the visual alchemies of Ann Veronica Janssens or Edith Dekyndt."
Capucine Vandebrouck (born 1985) is a sculptor graduated from the École Supérieure des Arts Décoratifs of Strasbourg, the École Nationale Supérieure d'Art of Bourges and the Marc Bloch faculty. She lives and works in Strasbourg.
Capucine Vandebrouck was awarded the Ouest-Ost residency (partnership with the French Center of Berlin, FEFA, and the Goethe Institut, Berlin, Germany) in 2017; the studio residence of Lindre-Basse, France in 2014; the residency of the Kunststiftung Baden-Württemberg in partnership with the CEAAC and the French Institute, Stuttgart, Germany in 2014 and the RAVI, artist residence Vivegnis international, Liège, Belgium in 2013 a.o.
Her work has been shown in art museums, institutions and galleries (Kunsthalle Basel, Basel, CH; Musée d´Art Moderne et d´Art Contemporain MAMAC, Nice, F; CEAAC, Strasbourg, F; Musée La Grand Place, Saint-Louis-les-Bitches, F; Goethe Insitut, Nancy, F; Galerie Thaddeus Ropac, Paris, F; Galerie Bernard Ceysson, Saint Étienne, F; Galerie Houg, Paris, F; Galerie Gilla Lörcher | Contemporary Art, Berlin, D.
From 20 Dec - 3 Jan 2022 the gallery is only open after appointment. Please book a time slot.